A sculptor with a deep academic foundation, he began his journey at the College of Fine Arts, Thiruvananthapuram, where he honed his technical skills under the mentorship of renowned artists. His time at MSU Baroda further expanded his artistic vocabulary, introducing him to the theoretical depths of Indian art through interactions with influential figures and exposure to historic and contemporary masters. His artistic inquiries led him to explore Indian relief sculptures and monolithic structures, shaping his engagement with historical narratives and their reinterpretation.

Central to his practice is the concept of Simulacra, borrowed from the French philosopher Jean Baudrillard. His work recreates well-known historical art objects but deliberately shifts their context, stripping them of their original references. This process challenges conventional readings of authenticity and meaning, compelling the viewer to engage with the artwork beyond its historical weight. By reconfiguring familiar imagery into new spaces, he raises questions about perception, memory, and cultural continuity.

His approach is both introspective and philosophical, driven by an attempt to defuse violence and create moments of calm. His sculptures do not impose singular narratives; rather, they offer viewers an opportunity to reimagine and relate to forms in their own way. By encouraging adaptability in interpretation, his work opens up a dialogue between past and present, urging us to reconsider how we construct meaning from history and art.